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By Caroline van Eck

Throughout historical past, and world wide, audience have taken care of artworks as though they're residing beings: talking to them, falling in love with them, kissing or beating them. even though during the last twenty years of person instances of such habit in the direction of paintings has elevated immensely, there are few makes an attempt at formulating a theoretical account of them, or writing the background of ways such responses have been thought of, outlined or understood. that's what this booklet units out to do: to reconstruct a few the most important chapters within the historical past of thought of such reflections in Western Europe, and to provide a few development blocks in the direction of a theoretical account of such responses, drawing at the paintings of Aby Warburg and Alfred Gell.

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Art, Agency and Living Presence: From the Animated Image to the Excessive Object (Studien aus dem Warburg-Haus) by Caroline van Eck

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